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Project Breakdown with Frame 48

The future is really just the impact of what everyone has scheduled in their calendar tomorrow or decides to do…

3 years ago

Discussing music videos and diversity in design with Kris Merc

In this Motionographer Q&A, we have an inspiring and honest chat with Kris Merc about his latest music video for…

6 years ago

Johnny Kelly and the making of his new film FERN

What happens when a taxidermied kangaroo paw helps to inspire a film? In this Motionographer Q&A, we chat with Johnny…

6 years ago

The other half with Antfood

Behind every great animation is great sound. The Other Half is a new series where we hope to focus on…

6 years ago

Step by Step: Cabeza Patata

Our Step by Step series is back, this time with the amazing illustrative 3D work of Cabeza Patata!

6 years ago

Mograph goes through puberty

Grab a cup of coffee, silence your phone, and take a trip down motion design memory lane to bask in…

6 years ago

How I learned to stop worrying and love the bomb

In this Motionographer Guest Post by Joyce N. Ho, find out what it's like to take on one of the…

6 years ago

Introducing Holdframe

In this Motionographer Guest Post, meet Holdframe, a new platform for the animation and motion design community to share, learn,…

6 years ago

SPECTRUM: Rheea Aranha

For this month's SPECTRUM profile, we talked with London-based Creative Director Rheea Aranha about her studio's work in Film UI,…

6 years ago

Transparency and a financial year in review with Zack Lovatt

In this Motionographer Guest Post, we're thrilled to bring you some financial insight from LA-based tool developer and technical director,…

6 years ago

Ch-ch-ch-ch-changes

As life and our priorities constantly change, so too does our path through this ever-evolving industry. In this month's Guest…

6 years ago

Growing a business, the hard way: The expanded post

In this Motionographer Q&A Erica Gorochow chats with James Chambers of Animade and Boords about what it's like running a…

6 years ago

An animator’s greatest asset: the short film

In this Motionographer Guest Post, Eoin Duffy provides an intimate look into the world of personal projects and the value…

6 years ago

An interview with Get it Girl

In this Motionographer Q&A, we chat with Get it Girl to find out more about their collective and what some…

7 years ago

Everything is awesome, until it isn’t

In this Motionographer Guest Post, Adam Plouff gives a sobering look at what it's like getting called up to the…

7 years ago

Who is Jonathan Djob Nkondo?

From "worst in his class" at Gobelins to a career making mind-bending work, it's not always been an easy ride…

7 years ago

Better together: Wednesday Studio

In this installment of the Better Together series, we chat with Daniela Negrín Ochoa and Iria López of Wednesday Studio…

7 years ago

Greg Sharp, Truba, and The Future

In this Q&A we chat with Greg Sharp about Truba, the new studio he founded with his wife, producer Nina…

7 years ago

Winning the render wars with Chad Ashley

With the everchanging landscape of render engines it can be hard to know which one is right for you. In…

7 years ago

Step by Step: Andrew Vucko

Sit back and takes notes as we get a behind the scenes look at how one of the best 2D…

7 years ago

A look at the changing landscape of animation with Johnny Kelly

In this Motionographer Q&A we chat with Johnny Kelly about his recent work "Good Adds Up", a series of personalized…

7 years ago

Making time for the work that matters most… your own

In this Motionographer exclusive, we chat with Vincent Tsui to find out more about his wonderful new film "Opal Waltz"…

7 years ago

The good and bad about life as an expat

We've all heard it before: if you want to do good work, move to NYC, LA or London. In this…

7 years ago

Step by Step: Emanuele Colombo

Ever wonder what goes into 2D character animation in After Effects? Well, you're in luck! In this month's Step by…

7 years ago