"Over the years, I’ve found that resampling and reprocessing are some of the most powerful techniques in Sound Design, more so than any single plugin… Read more
"Mark Pritchard and I have worked together for 10–15 years. Hearing his demos, even early on, the album felt special—each song demanded visual treatment. We… Read more
"The goat painting represents a shift from conscious thought into subconscious chaos. It adds to the disorientation and surreal logic of the sequence. I reused… Read more
"The goat painting represents a shift from conscious thought into subconscious chaos. It adds to the disorientation and surreal logic of the sequence. I reused… Read more
"We think there’s something fundamentally different in a picture shot in camera - the imperfections and the intricacies of real light and dust grounds the… Read more
Alright, let’s break this down without getting too fancy. The difference between lowercase motion design and uppercase Motion Design isn’t just about grammar—it’s about perception,… Read more
Ah yes, it’s that magical time of year when we dust off our Motionographer®’s semi-reliable crystal ball (now with added AI-powered glitter) and peer into… Read more
Ah yes, it’s that magical time of year when we dust off our Motionographer®’s semi-reliable crystal ball (now with added AI-powered glitter) and peer into… Read more
What happens when a taxidermied kangaroo paw helps to inspire a film? In this Motionographer Q&A, we chat with Johnny Kelly about the making of… Read more
In this Motionographer Guest Post, meet Holdframe, a new platform for the animation and motion design community to share, learn, and support their fellow artists.
For this month's SPECTRUM profile, we talked with London-based Creative Director Rheea Aranha about her studio's work in Film UI, strategies useful to women in… Read more